“I already live in a foreign country,” says Thuli softly, thinking of the neat lawns and flower beds, the sequestering razor wire and security gates of the house where she grew up and where her parents live. “And I already belong to a different future.”
Robo-Killa’s gun barrel batters against her window, reclaiming her attention. “I shoot you,” he howls.
Thuli’s car cuts across the nose of the oncoming 14-wheeler, but too late, and is swept up by its bull-bars and rolled splintering and shredding until the bucking monster tramples her beneath.
Across the road a wiry group of youths sculpted by scanty food and occasional manual labour lounge against the frontage. All wear eye-sets – chitinous, intimidations reeking of testosterone.
Delicately it probes one of the open access fields, bouncing a disguised connection request. Immediately there is a rustle of activity: stealthy digital legs stalking – A spidernetic mutabot or some other insectificial tasked with embalming unwary code for the attention of its hacker master.
The murder rate is well above the national mean – 0.015% per annum. That’s nearly six people every week. 85% of them are young black men. But, though proportionately fewer, some of the murders perpetrated on women are particularly horrific.
“Oh…My…Gosh! I’ve discovered a first: cybernetic post-traumatic stress disorder.”
“It’s a savage cyber-slum out there. Down at street level, so to speak.”
“It’s illegal to remove ID, but it’s not illegal to go un-wearing after twenty-one.”
Thuli begins to sob, even more intensely than before. What on earth is happening to me? she wonders.
Glimpsed in the headlights, a child darts for the edge of the road. Thuli brakes, and the car slews – she hears a soft thump – and begins to spin. Helpless, she resigns herself: a limbo of thought in which she avoids imagining the bone-rending impact to come.
Bulumko has heard rumours of adepts able to destroy a man by manipulating the electricity in his brain...
“You know, I was a virgin when we made love.”
“My father died saving me from a charging hippopotamus…”
A small, dented globe of puke-green fire wobbles to life in the centre of the room. “Sorry, I’m a bit…” Bulumko doesn’t finish what he’s going to say: the ‘something’ he stumbled over is a corpse.
It turns out that Leticia, a childhood play-mate of his, who lived with her dad, just a few streets down from his mom’s house, has been disembowelled. She is not dead yet: head cradled in the night-watchman’s arms, she lingers.
Besides him, Shikara deftly slips off her kurti, revealing her breasts, ripe and exquisite. “Don’t be afraid. I won't hurt you.” She continues stripping, peeling back her jeans, exposing lush thighs.
Looming over Bulumko, the serpent crackles with power, filaments of flame spawning from its front – drifting, sizzling. Undaunted, Bulumko pulls up an abandoned cocktail table, climbs onto it, shoves his face towards the electric conflagration.
On the podium, lead singer, Giant Wolfman James, stomps and hoots like a runaway locomotive, relying on the wooden pulpit canopy behind him to project his already monstrous voice.
He gestures, and a stream of sparks condenses in mid-air, chases into a rotating ring that drifts away from them, pulsing through the colour spectrum from violet to red and back. “Wow!” breathes Shikara.
